Anthea Polson Art in conjunction with the Queensland Festival of Photography presents a survey exhibition of photographic artworks by multi-award winning Samantha Everton. It is an opportunity to view a selection of the Melbourne-based artists critically acclaimed Marionettes,Vintage Dolls, Childhood Fears and more recent Wolf series.
Thoreau’s words, “Know your own bone; gnaw it, bury it, unearth it, and gnaw it still” inform Carolyn V Watson’s conceptualisation and absolute rigour of process in producing “intimately veiled” paintings and “scorched raw” sculptural…
Although the Blue to Red paintings contain three distinct bodies of work, the underlying theme is the individuals relationship to the environment – the finding of connections between human experience and the rich, metaphorical resonances of the natural world.
The physical structures within which we live and work possess functional and symbolic qualities, and usually an interweaving of both. Robyn Sweaney confesses other people’s houses have always fascinated her
In a pageant of shimmering colour, Nick Howson chronicles the fabled events of times past and present. Many of the works reference memories of a journey he made through ancient lands and the art treasures encountered there. The awe and inspiration
There has always been something unsettling and yet strangely familiar about Samantha Everton’s imagery. It lures us in and holds us spellbound as we ponder the source of our curious fascination. Anthea Polson Art is indeed privileged to host the national launch of Marionettes, Everton’s latest series of photographic art…Marionettes extends her visual exploration of interior states of being, but here the focus has shifted from that of the child’s, to ‘grown-up’ issues of isolation and loss of control under the pressures of daily life.
Gordon Richards celebrates the simple pleasures in works of art that bring visual delight to the viewer. Inspiration for his latest body of work first surfaced in fond reminiscences of his ‘Noosa years’. Back in the ’90’s, that seaside playground had been the place where he’d famously exchanged his chef’s cap and kitchen utensils for the proverbial artist’s beret and paintbrushes. Richards’ new career path proved to be an exciting creative outlet and ultimately, an enormously successful venture.
Anthea Polson Art is privileged to present for the first time in Queensland, a selection of magnificent, limited edition photographic artworks by multi-award winning Samantha Everton. It will be a rare opportunity to view the Melbourne-based artist’s critically acclaimed Vintage Dolls and Childhood Fears series. The exhibition is a prelude to her forthcoming new body of work that will have its national premier with Anthea Polson Art in March 2011…
There is a timeless serenity to the bronzes Piperides creates. Light gently caresses rounded volumes and lustrous, burnished surfaces. A union of ideal and reality, the figures convey a profoundly Classical air. But beyond the anatomical perfection and sensitive play of light, the works engage the viewer at a deeper, more contemplative level. There is a sense of complete quietude to the self-sufficient repose of each figure. Free of restless energy, Piperides’ bronzes seem to represent a state of being which defies all worldly concern.
Working from her studio in the hills behind the small northern NSW town of Mullumbimby, Avital Sheffer creates the award winning, profoundly beautiful vessels that have been collected by numerous Australian public galleries and museums.
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