Sir Gawain and the Perilous Graveyard is the final book in Marilyn Peck’s Sir Gawain Trilogy. It is based on a chivalric romance written by an anonymous author in 13th century, the manuscript of which is preserved in the Musee Conde, Chantilly, France. As in Peck’s previous works the text was personally translated from Middle English diction and subsequently illuminated. Fifty-four sumptuous illustrations aspire to manifest the esoteric dimensions inherent in all Arthurian tales.
In cultures dominated by logic, intellect and linear thinking, life can become a problem to be solved rather than a mystery to be enjoyed. Sydney-based Sophie Gralton’s signature imagery animates a shift in consciousness back to a more intuitive realm – that of the vulnerable innocence, curiosity, spontaneity and unbounded potentiality which characterises childhood.
Robert Ryan has always immersed himself in the process of life, his paintings interpreting and distilling experience. His new body of work documents recent wayfaring through landscapes of place, time and consciousness. Although embodying two distinct painting styles, the underlying theme remains the individual’s relationship to one’s surroundings and situation. Ryan explains that the show’s title, Moving Backwards, refers not to any sense of reversion or a hankering for bygone circumstances, but the convoluting aspects encountered in relocating home and studio to a faraway region of ancestral significance.
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