Dale Frank

DALE FRANK

Born 1959 in New South Wales, Australia
Lives Singleton, Australia

SOLO EXHIBITIONS

2024
Dale Frank Growers and Showers, National Art School, Sydney
2023
Jacob took seven minutes before he could piss, Roslyn Oxley9 Gallery, Sydney
DALE FRANK ARTIST!, Gruin Gallery, Los Angeles
2022
this is a floatation device, this is not a life saving device, Roslyn Oxley9 Gallery, Sydney
Dale Frank, Neon Parc, Melbourne
In The Dark The Drunken Ghosts Of Masturbations Past, Gow Langsford Gallery
2021
The Omega Variant Show, Roslyn Oxley9 Gallery, Sydney
The Super Spreader, Neon Park, Melbourne
Dale Frank, Gow Langsford Gallery, Auckland
When his wife went away on her frequent business trips, Alex would often wear nothing but Huggies disposable nappies around their apartment, Pearl Lam Galleries, Hong Kong
2020
Shaun taught piano Roslyn Oxley9 Gallery, Sydney
Screenprints, Gow Langsford Gallery, Auckland
2019
Dale Frank, Roslyn Oxley9 Gallery
Dale Frank, Neon Parc Gallery, Melbourne
Dale Frank, Gow Langsford Gallery, Auckland
2018
Dale Frank, Olsen Gruin, New York
Dale Frank, Gow Langsford Gallery, Auckland
Dale Frank, Roslyn Oxley9 Gallery, Sydney
2017
Dale Frank, Neon Parc, Melbourne
Dale Frank, Roslyn Oxley9 Gallery, Sydney
Dale Frank, Pearl Lam Galleries, Hong Kong
Dale Frank, Gow Langsford Gallery, Auckland
2016
Dale Frank, Bank of America Merrill Lynch, Sydney
Sabco Peroxide, Roslyn Oxley9 Gallery, Sydney
Los Angeles Contemporary Art Fair, Neon Parc Gallery (Melbourne), Los Angeles
Dale Frank, Gow Langsford Gallery, Auckland
2015
Dale Frank, Neon Parc Gallery, Melbourne
Dale Frank, Gow Langsford Gallery, Auckland
Art Cologne, Neon Parc Gallery, Koln
2014 Toby Jugs, Roslyn Oxley9 Gallery, Sydney
2013 Nobody’s Sweetie, Roslyn Oxley9 Gallery, Sydney
Date Custard Tart, Anna Schwartz Gallery, Melbourne
2012 The Silence Rode a Donkey Into Town, Gallery Reis, Singapore
Art Statements Gallery, Hong Kong
Armory Show, New York (Anna Schwartz Gallery)
2011 WACKY DUCK FLUFFY TOM, Roslyn Oxley9 Gallery, Sydney
Fennel, Gallery Reis, Singapore
Dale Frank, Anna Schwartz Gallery, Melbourne
2010 Ice Age, Roslyn Oxley9 Gallery, Sydney
2009 Dale Frank, Art Statements Gallery, Hong Kong
Dale Frank, Gow Langsford, Auckland
Dale Frank, Anna Schwartz Gallery, Melbourne
2008 Dale Frank, Anna Schwartz Gallery, Sydney
Some Boring Paintings, Roslyn Oxley9 Gallery, Sydney
2007 Sore Throat, Roslyn Oxley9 Gallery, Sydney
2006 Gow Langsford, Auckland, New Zealand
Roslyn Oxley9 Gallery, Sydney
2004 Roslyn Oxley9 Gallery, Sydney
2003 Dale Frank, Studio Foyer Exhibitions, Sydney Opera House, Sydney
New Paintings, Anna Schwartz Gallery, Melbourne
Views from the Bruce Highway, Roslyn Oxley9 Gallery, Sydney
2001 Roslyn Oxley9 Gallery, Sydney
Gow Langsford, Auckland, New Zealand
2000 Ecstasy – 20 Years of Painting, curated by Sue Cramer, Museum of Contemporary Art, Sydney
Art Gallery of NSW, Sydney
Roslyn Oxley9 Gallery, Sydney
Anna Schwartz Gallery, Melbourne
Miss Junior Gin Gin Showgirl, Dale Frank (and Adam Cullen), Hazelhurst Regional    Gallery, Sydney
Galerie Albert Baronian, Brussels
1999 Roslyn Oxley9 Gallery, Sydney
Karyn Lovegrove Gallery, Los Angeles
1998 Gin Gin Paintings, Bundaberg Art Gallery, (touring, Toowoomba Regional Gallery, Tamworth City Gallery)
Roslyn Oxley9 Gallery, Sydney
Unseen New York Paintings 1985-86, Alderton Gallery, Brisbane
Anna Schwartz Gallery, Melbourne
1997 Gow Langsford Gallery, Auckland (touring Govett-Brewster Gallery, New Plymouth; Wellington City Gallery, Wellington, New Zealand)
Movie Show, Roslyn Oxley9 Gallery, Sydney
Anna Schwartz Gallery, Melbourne
1996 Roslyn Oxley9 Gallery, Sydney
Teststrip Gallery, Auckland
Bellas Gallery, Brisbane
Centre for Contemporary Photography, Melbourne
Disco-Behaviouralism, Upper Roma Street, Brisbane (VOLT, Brisbane Festival)
Pool Hall, Institute of Modern Art, Brisbane
Roslyn Oxley9 Gallery, (photography) Sydney
Perfumed Lotus (sculpture performance), Room 117, Asia Pacific Hotel Art Fair, Brisbane
1995 Bellas Gallery, Brisbane
Sculpture Performance, Roslyn Oxley9 Gallery, Sydney
Dale Frank/Scott Redford (collaboration), ISNT Gallery, Brisbane
Karyn Lovegrove Gallery, Melbourne
1994 Karyn Lovegrove Gallery, Melbourne
Project Space, Level 2, Art Gallery of New South Wales, Sydney
Sherman Galleries Goodhope, Sydney
Private Viewing, Hugh Jamieson Collection, Bilpin, NSW
Jack Shainman Gallery, New York
Wollongong City Gallery, Wollongong, NSW (Drawing Retrospective, 1980-1994)
Unseen 1984 Exhibition, Karyn Lovegrove Gallery, Melbourne
Satellite of Love, Canberra Contemporary Art Space, (in association with the National Gallery of Australia, `Virtual Reality’), Canberra
1993 Solander Gallery, Canberra
Bellas Gallery, Brisbane
Monash University Gallery, Monash University, Melbourne (Drawing Retrospective, 1980-1992)
Perth Institute of Contemporary Art, P.I.C.A., Perth (Drawing Retrospective, 1980-1992)
Sherman Gallery Goodhope, Sydney
UNFAIR, Cologne
Galerie Albert Baronian, Brussels
1992 Newcastle Regional Gallery, Newcastle (collaboration with John Coburn)
Roslyn Oxley9 Gallery, Sydney
Contemporary Art Centre of South Australia, Adelaide
Nolan Gallery, Canberra (collaboration with John Coburn)
Karyn Lovegrove Gallery, Melbourne
The Villa Verte, Kuala Lipis (Kuala Lumpur),Malaysia
Roslyn Oxley9 Gallery, Sydney
1991 Roslyn Oxley9 Gallery, Sydney
Institute of Modern Art, Brisbane (collaboration with John Cobum)
Tamworth City Gallery, Tamworth
Deutscher Brunswick Street, Melbourne
1990 Milburn+Arte, Brisbane
Deutscher Brunswick Street, Melbourne
Roslyn Oxley9 Gallery, Sydney
Sculptures and Constructions, Milburn, Brisbane
1989 Milburn+Arte, Brisbane
Roslyn Oxley9 Gallery, Sydney
1988 Jack Shainman Gallery, New York
Milburn+Arte, Brisbane
Mon Gallery, Sydney
Realities Gallery, Melbourne
E.M.R. Gallery, Sydney
1987 Studio Marconi, Milan
Musee de Arte Modern di Ville Liege, Liege; curated by Albert Baronian
Marianne Deson Gallery, Chicago
Realities Gallery, Melbourne
Mon Gallery, Sydney
1986 Massimo Audiello Gallery, New York
Galerie Polynero, Antwerp
Galerie Albert Baronian, Brussels
Triagono Modern Arte, Nola (Naples)
Roslyn Oxley9 Gallery, Sydney
1985 Palais Des Beaux-Arts (Galerie Albert Baronian), Brussels
Galerie Barbara Farber, Amsterdam
Roslyn Oxley9 Gallery, Sydney
Canberra School of Art Gallery, Canberra
Studio d’Art Cannaviello, Milan
1984 Studio d’Art Cannaviello, Milan
Roslyn Oxley9 Gallery, Sydney
University Gallery, Melbourne
Institute of Modern Art, Brisbane
Monique Knowlton Gallery, New York
1983 Museum Fodor, (Stedelijk Museum), Amsterdam
Roslyn Oxley9 Gallery, Sydney
1982 Galerie Tanit, Munich
Perspective 12/82, International Kunstmesse, Basel
Roslyn OxIey9 Gallery, Sydney
Severina Teucher Galerie, Zurich
1981 Acme Art Gallery, London
PSi Gallery (Project Studio One), New York
Praxis Gallery, Perth
Fernando Pellegrino Galerie, Bologna
1980 Project Art Gallery, Dublin
Young Artists Club, (FMK), Budapest
Galerie Sixto Notes, Milan
1979 Experimental Art Foundation, Adelaide

PUBLIC COLLECTIONS

Museum of Fine Art, Boston, USA
Zurich Kunsthaus, Zurich, Switzerland
Exxon Corp. Collection, New York, USA
Ball State University Collection, Indiana, USA
Solomon R. Guggenheim Museum, New York, USA
Musee de ViIIe de Leige, Leige, France
Trans-Art Collection, Milan, Italy
First National Bank of Chicago Collection, Chicago, USA
Westpac Collection, New York, USA
National Gallery of Victoria, Melbourne, Australia
Museum of Contemporary Art, Sydney, Australia
National Gallery of Australia, Canberra, Australia
Art Gallery of New South Wales, Sydney, Australia
Art Gallery of South Australia, Adelaide, Australia
Art Gallery of Western Australia, Perth, Australia
Queensland Art Gallery, Brisbane, Australia
National Gallery of New Zealand, Wellington, New Zealand
Auckland City Gallery, Auckland, New Zealand
Allen Allen and Hemsley Collection, Sydney, Australia
ABN Amro, Sydney, Australia
University of Melbourne Collection, Melbourne, Australia
Tamworth City Gallery Collection, Tamworth, Australia
Perc Tucker Regional Art Gallery, Townsville, Australia
Wollongong City Art Gallery, Wollongong, Australia
Burnie Municipal Gallery, Burnie, Australia
Griffith University Collection, Brisbane, Australia
Darwin Institute of Technology Collection, Darwin, Australia
Newcastle Regional Art Gallery, Newcastle, Australia
Philip Morris Collection, Canberra, Australia
IBM Collection, Melbourne, Australia
Shell Australia Collection, Melbourne, Australia
BP Collection, Melbourne, Australia
Monash University Collection, Melbourne, Australia
Chartwell Collection, New Zealand
UBS Collection Sydney and Melbourne, Australia

PRIVATE COLLECTIONS

Hugh Jamieson Collection, Sydney
Smorgon Family Collection, Melbourne
Jim Wolfensohn Collection, New York
Clayton Press Jnr Collection, Los Angeles
Chartwell Collection, Hamilton
As well as numerous private collections in:
Amsterdam, Antwerp, Brecia, Brisbane, Brussels, Budapest,
Chicago, Cologne, Dallas, Dublin, Dusseldorf, Haarlem, Houston,
Liége, London, Los Angeles, Melbourne, Milan, Montreal, Munich,
Naples, New York, Palermo, St GaIlens

BIBLIOGRAPHY since 1982

2018
Kon Gouriotis, ‘Dale Frank’, Artist Profile, issue 42, pp. 58-69
‘Melbourne Art Fair Reveals the Solo Exhibition Highlights’, Art Collector, issue 84, pp. 54
2017
Kylie King, Dale Frank at Neon Parc, Memoreview Online, 8 July, 2017
Catherine Shaw, Material world: Dale Frank latest explorations in paint, resin and firm foam, Wallpaper magazine, 23 January 2017
Annamarie Kiely, Dale Frank at Pearl Lam Galleries Hong Kong, ArtAsiaPacific, Brittany Dale, 8 March 2017
2016
Nick Yelverton, BEING DALE FRANK, Vogue Living | The Art Issue November/December 2016, pp122-131.
Jane Rankin-Reid, ’56 bottles of beer on the floor, 56 bottles of beer…’ Look Magazine, March 2016, pp.20-21
‘Dale Frank’, ArtForum, Vol.54, NO.6, Feburary 2016, p.258
2015
‘Spring 1883’, Art Collector, Issue 73, July-Sept 2015, p.52
Dylan Rainforth, Neon Parc opens new Brunswick gallery with Dale Frank show, The Age, 6 October 2015
James Cockington, ‘Contemporary art tipped to rise,’ Money, Sydney Morning Herald, 13 January 2016, p. 6-7
Quentin Spraque, ‘Sublimity in the Balance’, The Australian, Thursday 29 October 2015 p15
Wes Hill, ‘Review, Dale Frank, SABCO PEROXIDE,’ Frieze, 5 February 2016
2014
Quentin Spraque, ‘Sublimity in the Balance’, The Australian, 29 October 2015, p.15
Nicholas Forrest, “The Fluid Dynamic of Conceptual Painter Dale Frank at Roslyn Oxley9”, Blouin ArtInfo, September 26, 2014
Sally Pryor,” Artist Dale Frank 4 million donation is National Gallery of Australia’s ‘most significant gift’”, Canberra Times, August 15, 2014
ABC News, “Artist Dale Frank gifts collection of his work worth 4 million”, ABC News, Friday 15 August. 2014
Natasha Bullock, ‘Dale Frank’, 2014 Adelaide Biennial of Australian Art Exhibition Catalogue, April 2014 pp.90
2013 Andrew Frost, ‘Dale Frank, Nobody’s Sweetie – review’, The Guardian.com, August 21 2013
Nicholas Forrest, Venice Biennale Collateral Event Features Australian Artists, Blouin Art Info, Feburary 28 2013
2012 Les Arts De L’effervescence Champagne (Exhibition Publication), Musee des Beauz Arts de Reims, (2012: Somogy Editions D’Art, France)
Sue Cramer, “Dale Frank Artist Profile”, MCA Collection Volume One, (Sydney; MCA, 2012) pp257 2011 Christopher Chapman, Inner Worlds: Portraits and Psychology, National Portrait Gallery: Canberra, 2011 2010 David Elliott, ,The Beauty of Distance: Songs of Survival in a Precarious Age, 17th Biennale of Sydney catalogue, published by the Biennale of Sydney Ltd in association with Thames & Hudson, Australia Pty Ltd. 2009 Robert Bevan, “A Grand Obsession”, Australian Financial Review Magazine 2008 Current, Contemporary Art from Australia and New Zealand, Art and Australia (eds.), Sydney, 116
Ashley Crawford, `Dale Frank, The Story So Far,’ Art World, Issue 1, Feb/Mar, pp. 42-46
Sebastien Smee, `Forget Me Not’, The Weekend Australian, April 5-6, 2008, pp.18-19 2007 So Far: The Art of Dale Frank, 1980-2005, Schwartz Publishing, Melbourne (440 pages)
Sebastian Smee, `Into the twilight zone,’ The Australian, 31 March – April 1 2007, pp.18-19
Sarah Stutchbury, `Dale Frank: Strung out in heaven’s high’, Brought to Light II: Contemporary Australian Art 1966-2006, Lynne Seear and Julia Eqington (eds), Queensland Art Gallery Publishing, Brisbane, pp.206-11 2006 Before the Body-Matter, exh. Cat., Monash University Museum of Art, Melbourne
Terry Ingram, `Frank identified as Australiana buyer’, The Australian Financial Review, Thursday, 23 November 2006, p.19
Danika Jones, `To be Frank’, Vogue Living, May/June 2006, pp.162 – 175
Tracey Clement, `Preview: Dale Frank, Roslyn Oxley9 Gallery, 4 – 24 May 2006′, Australian Art Collector, Issue 36, April – June 2006, p.217 2005 Timothy Morrell, `Previews QLD, Dale Frank’, Art Galleries Schubert, Australian Art Collector, Issue 33, July-September p.245
Annette Larkin, Justin Miller and Damian Hackett, `going, going, gone…’, Three auction house experts reveal their top 10 favourite Australian artists to watch…,’ Vogue Living, May-June, pg.110
Richard Kalina, `Report from Downunder: Down Under no more’, Art in America, April 2005, pg.77
Nick Mitzevich and Ross Woodrow, Drawing Centre, exh. cat., Newcastle Region Art Gallery, Jan – March
Jane Rankin-Reid, `Dale Frank,’ Australian Art Collector, Issue 31, January-March, pg.89
Sebastian Smee, `Competitors help regional painters to make their mark,’ The Australian, 31st January 2004 Ingrid Woodrow, Auto Fetish, exh. cat., Newcastle Region Art Gallery, Nov 04 – Jan 05,
Jane Rankin-Reid, `Dale Frank’s conceptual abstraction,’ Art & Australia, vol.42 no.2, Summer, p.211-214
Ashley Crawford, `Dale Frank’ (feature), Art & Australia, Vol.42 No.2, Summer, p. 207
Andrea Tu, `Swoon,’ Broadsheet Contemporary Visual Arts & Culture, vol. 33 no.3, September – November, CACSA, p.58
Ihor Holubizky, `Dale Frank,’ Australian Art Collector, issue 29, July – September, p.183
Dominique Angeloro, `Tag-team smackdown,’ Sydney Morning Herald (Metro), Jun 4 – 10, p.26
Alex McDonald, `The Dead Zone,’ State of the Arts (Reviews), June
`Smells like Victory,’ The Art Life, https://artlife.blogspot.com/, 11 June
Michael Walters, `Eclectic Dreams,’ Belle, 30th Anniversary Issue, April/May, p.186-191 2003 Ewen McDonald, `The ever-expanding field,’ Monash University Collection: Four Decades of Collecting, ed. Jenepher Duncan and Linda Michael, Monash University and Monash University Museum of Art, Victoria, p.32 – 36
`Dale Frank,’ Blaze: Visual Art Writing from the Contemporary Art Centre of South Australia 1990 – 2002, CACSA, Adelaide, p.24
Anne Loxley, `Gems behind the verbiage,’ Sydney Morning Herald (Metropolitan), Wednesday, April 9, p.14
Lenny Ann Low and Peter Hill, `Grin and bare it,’ Sydney Morning Herald, Weekend Edition, April 12 – 13, p.12 2002 Charles Green, `Into the 1990s: the decay of postmodernism,’ Fieldwork: Australian Art 1968 – 2002, exh. cat., National Gallery of Victoria, Federation Square, Melbourne (November 2002 to February 2003), p.100 – 111 2000 Editors, `Australia’s 50 Most Collectable Artists,’ Australian Art Collector, Sydney, Issue 11, January-March, pp.65
Sue Cramer, `The Painter of These Paintings is Either Dale Frank, Or If Not Dale Frank, Someone Else of the Same Name,’ (interview with Dale Frank) Dale Frank, Ecstasy Twenty Years Of Painting, exh. cat., Museum of Contemporary Art, MCA, Sydney, pp.3 – 19
Christopher Chapman, `DFX4,’ (article), Dale Frank. Ecstasy Twenty Years of Painting, exh. cat., Museum of Contemporary Art, Sydney, pp.20- 25.
Elizabeth Fortescue, `Varnishing act,’The Daily Telegraph, Sydney, Feb 4, pp.119
Timothy Morrell, `Very Frank,’ (article), The Eye, Sydney, Vol 2 No 2, Feb 10, pp.70 -73
Giles Auty, `Title fright,’ (review), Arts Review, The Weekend Australian, Sydney, Feb 12 – 13, pp.19
Bruce James, `To Be Earnest, It’s Far From Frank’, (review), The Sydney Morning Herald, Arts, Sydney, February 26, pp.S14
Annette Hughes, `The Ecstasy of St Frank,’ HQ Magazine, Sydney, No 69, March – April, pp.28
Andrew Frost, `Australia’s 50 Most Collectable Artists,’ Australian Art Collector, Issue 7, Jan-Mar, pp. 27-64, 35 1999 William McAloon, home and away: contemporary Australian and New Zealand art from the Chartwell Collection, Auckland Art Gallery, 1999, p. 118-9, 135 1998 Michael Newall, `ambient (male) identity,’ (review), Eyeline, Brisbane, No. 35, p. 41
Linda Michael, Bernice Murphy, Ben Curnow, The MCA Collection: The Loti and Victor Smorgan Gift of Contemporary Australian Art, (publication), Museum of Contemporary Art, Sydney, pp. 32, 60-61,104
Jeff Gibson, `Dale Frank,’ (review), Flash Art (international), Milan, March-April, no. 223
Peter Timms, `Frankly, he gives a damn,’ (review), The Age, Melbourne, June 24
Christopher Chapman, Dale Frank: Cool Cosmic World, ex. cat., Anna Schwartz Gallery, Melbourne, June
Ken Lord, `Encore… people,’ The Sunday Mail, Brisbane, July 5, p.81
Rex Butler, `Frank exploration of the importance of being outrageous,’ (review), The Courier-Mail, Brisbane, (arts weekend 12) July 11, p.12 1997 Rex Butler, `Eyes Closed in Dale’s Disco’, Like, No 2, March, pp.14-17
Christopher Chapman, `Abstract Identity’, Broadsheet, Adelaide, vol 26, no 1, Autumn, pp.6- 7
Dale Frank, `Only the Lonely,’ MONICA, Auckland, New Zealand, Summer 97, pp.14 -15
Robin Neate, `Big Art Moments,’ MONICA, Auckland, New Zealand, Summer 97, p.43
Virginia Trioli, `A sign of the times,’ The Age, Metro Arts, Melbourne, 19 March
Robert Nelson, `Tantrums and goo: the mark of bad-boy art,’ (review), The Age, Melbourne, 19 March
Christopher Chapman, `Molecular Reality,’ exh cat., Dale Frank New Zealand tour, Govett Brewster Art Gallery, New Plymouth, New Zealand
Lindsay Shonagh, `Art that oozes talent,’ Sunday Star-Times, Auckland, NZ, July 20, p.8
`Extreme Close-Up,’ Listener, Auckland, NZ, July 12, p.41
`Brisbane-based artist extends the boundaries,’ Daily News, Auckland, NZ, June 17
Matthew Bannister, `What’s On,’ North and South Magazine, July issue, New Zealand
TJ McNamara, `Painting by Numbers,’ Perspective on Art, NZ Herald, August 1
Michael NewalI, `Michael Newall Interviews Christopher Chapman,’ Broadsheet, Adelaide, Vol 24 No 4, Summer, pp.14-15
Suzanna Treister, `New Aussie Boys,’ Broadsheet, Adelaide, Vol 24, No 4, Summer, p.18
Christopher Allen, Art in Australia From Colonization to Postmodernism, Thames & Hudson, London, p.212 1996 Bruce James, `Galleries’, The Sydney Morning Herald, September 13
Peter Ward, `The State of the Arts – What’s Hot in `96′, The Australian, 6-7 January, pp.20-22
Christopher Chapman, Adelaide Biennale of Australian Art, ex cat., Art Gallery of South Australia, Adelaide, March, pp. 14, 60-61, 102-103, 136
`Dale Frank,’ Art + Text, Sydney, No. 53, January, pp.44-45
Peter Ward, `On-the-edge Biennale for an age of anxiety’, The Australian, 5 March, p.12
Joanna Mendelssohn, `Dale Frank’, The Australian, 22 March, p.10
Bruce James, `Chapmans Casper, Broadsheet, Adelaide, vol 25, no. 2, Winter, p.21
Robyn McKenzie, `Scratching the surface of intrigue’, The Age, 28 June, Melbourne, p.21
Tessa Laird, `Frank (Social Realism)’, (review), MONICA magazine, issue 3, Auckland, New Zealand, p.28
Kit Messham-Muir, `Dale Frank: Social Realism’ Eyeline, no.31, Spring, pp.44-45
Tessa Laird, `Frank and Redford (Social Realism) Dale and Scott’ Monica, August/ September
Dale Frank, `And Where to Now – Reality and Art,’ paper delivered at Volt Symposium, Institute of Modern Art, Brisbane, 5 September
Christopher Chapman, `Room Service,’ Broadsheet, Adelaide, Summer 96/97, Vol 25 No 4, p.23
William McAloon, The Self and Other Inventions, exh. cat., Chartwell Collection exhibition, Auckland, New Zealand
Bernard Freedman, `Virtual reality confuses’, Australian Jewish News, Sydney 6 Jan
Sonia Barron, `Viewers are deliberately victimised’, The Canberra Times, 13 Jan, p.12
Charles Green, Peripheral Vision – Contemporary Australian Art, Craftman House Publishers, Sydney, pp.36-37
Robert Lindsay, The Shell Collection of Contemporary Australian Art, exh. cat., Melbourne, pp.36-37
David McNeiII, `Virtual Reality’, Art + Text, Sydney, issue 51, p.70-71 1994 Christopher Chapman, `Dale Frank: Reclining Nude’, National Gallery News, January-February, Canberra, p.16
John McCaughey Memorial Art Prize, exh. cat., National Gallery of Victoria, Melbourne, February, p.20
Susan McCulloch, `Finding the Art of the Matter, Herald Sun Melbourne, Mar 30
Christopher Heathcote, `Dunlop drives his one formula’, The Age, Melbourne, March 30
Nick Waterlow, 25 Years of Performance Art in Australia, exh. cat., Ivan Doherty Gallery, Sydney, June, pp.6, 27, 62, 64
Elwyn Lynn, `Curious kinships of myth and man’, The Weekend Australian, June 18-19, p.13
Anthony Bond, `Dash and Daring: The Work of Dale Frank’, Look Magazine, Art Gallery of New South Wales, Sydney
Christopher Chapman, Dale Frank: It’s a Rush, exh. cat., Art Gallery of New South Wales, Sydney
John McDonald, `This time it’s not the Poms whinging’, The Sydney Morning Herald, 23 July, p.l3A
Elwyn Lynn, `Touched by a cast of Thousands’, The Weekend Australian, 30-31 July, p.l3
Rex Butler, `Nixon’s Watergate’, Agenda. #37, Melbourne, July, p.9-12
Christopher Chapman, `Carnivorous Plants: Cultured Nature in Contemporary Art’, Art & Australia, Spring, Vol.32, No.1, Sydney, p.92-97
Jeff Gibson, `Dale Frank,’ Sydney, No.49, September, p.73
Mary Eagle, `Introduction,’ Virtual Reality, exh. cat., National Gallery of Australia, Canberra, December, p.5
Christopher Chapman, `Dale Frank and the Diamond Dogs’, exh. cat., National Gallery of Australia, Canberra, December, pp.46-47
Christopher Chapman, `Reality Used to be a Friend of Mine’, `The Liquidity Problem and the Rush’ (reprint AGNSW, `It’s a Rush’, June 1994), Satellite of Love, exh. cat., Canberra Contemporary Art Space, Canberra, December
Christopher Chapman, `Conceptual Vertigo: New Object Art from Australia’ MIDWEST, Dunedin, New Zealand, Number Six, December, pp.31-35
Farah Farouque, `Welcome to the National Gallery where shopping is an art, really’, The Age, Melbourne, 9th December, p.24
Bruce James, `User-friendly artworks are a virtual reality’, The Age, Melbourne 21 December, p.22
Bruce James, `With a slip of the eye’, Sydney Morning Herald, 21 December, p.16
Sonia Barron, `Roads to nowhere and everywhere’, The Canberra Times, 23 December, p.27
Cohn Hood, `Shop-soiled and Scintillating’, REALTIME, issue 4, Dec, p.27
Dale Frank’, Artfan, Melbourne, Spring, No. 3 & 4, p.35-36 1993 Naomi Cass, `Dale Frank’, Art + Text, No.44, Sydney, January, p.82
Paul Foss, `The Painters Dildo (Portrait of Dale Frank)’, Wit’s End (catalogue), Museum of Contemporary Art, publisher, Sydney, January, pp.143-167
Catharine Lumby, `Smiling Saboteurs: Irony and Contemporary Art’, Wit’s End, exh. cat., MCA publisher, Sydney, January, pp.11-29
Kay Campbell, `Out of Humour, Wit’s End, exh. cat., MCA, Sydney, January, pp.11-29
Sofia Barron, `Showman or Shaman: a controversial artist,’ Canberra Times, Canberra, March 3rd, Arts. pp.30-31
Kay Campbell, `At Wit’s End’, Look Magazine, Art Gallery of New South Wales, Sydney, March, p.20
Ashley Crawford, `The Orgasmic Alienation’, Where Angels Fear to Tread, Drawings 1980-1992 exh. cat., Monash University Gallery, Melbourne, April, pp.3-7
Catherine Lumby, `The Engine of Irony’, Where Angels Fear to Tread, Drawings 1980-1992 exh. cat., Monash University Gallery, Melbourne, April, pp.8-14
Robert Rooney, `Bad boy more of a bland boy’, The Australian, The Weekend Review, Sydney, May 8-9, pp.11
Jeff Gibson, `Avant-Grunge’, Art + Text, Sydney, No.45, May, pp.23-25
Graham Forsyth, `Wit’s Living End’, Art + Text, Sydney, No.45, May, pp.26-29, 99.
`Wit’s End’, MCA Members Newsletter, Museum of Contemporary Art, Sydney, May-June, p.2
`Wit’s End: The Uses of Irony’ (screenings) MCA Members Newsletter, Museum of Contemporary Art, Sydney, May -June, p.9
Christopher Chapman, `Dale Frank’s Organicism,’ Art Monthly Australia, Canberra, June 1993 pp.22-23
Lynn Fern, `A hero aground’, The Sydney Morning Herald, June 4, p.24
`A Frank Exchange’, Sydney Morning Herald, July 16
Elwyn Lynn, `Various Aspects of Genius’, The Weekend Australian, July 23-24, p.13
Felicity Fenner, `Electric Currents Flowing on Canvas’, The Sydney Morning Herald, July 31st, p.46
Christopher Heathcote, `Art Striking but not a feature’, The Age, Melbourne, Sept 21, p.15
Dale Frank, UNFAIR 93′, exh. cat., Unfair, Cologne, Germany (Kim Machen Art)
Christopher Chapman, `Dale Frank’, World Art inaugural issue, Melbourne, November, pp.100-104
Graham Coulter Smith, `Dale Frank,’ Jane Magon, Eyeline, Brisbane, No.22 & 23, summer, pp.61-62 1992 Leanne Baxter, Tempo Notes’, Sun Herald, 19 January, p.140
Jill Stowell, `Elegant Abstracts Submerged in Paint’, Newcastle Herald, 21 January, p.7
`Challenging Art at the Gallery’, Newcastle Herald, Trends, p.7
`Port Exhibit’, Newcastle Herald, 15 January, p.17
Graham Forsyth, `Luscious Landscapes: Banal Beauties’, Art + Text, No. 41, Melbourne, January, pp.41-45
Elwyn Lynn, `Cringe Theory Gives Way to Admiration’, The Weekend Australian, 14 Mar
Ken Bolton, `Short Rope enough to tie up the message,’ Advertiser, Adelaide, April 8,
Christopher Heathcote, `Melbourne,’ Art Monthly, Canberra, issue 49, May, pp.14-16
Rex Butler, `The Hypothesis of Imitation,’ Agenda, Melbourne, issue 23, May/June, pp.17-21
Rosalind Walker, `Dale Frank/John Coburn,’ MUSE, Musecrits, July, p.3l
Jane Magon, Dale Frank, Craftsman House, Roseville East, NSW, 1992 (204 pages)
Jane Magon, `The Sacred and the Profane,’ Art & Australia, Sydney, Spring Issue, vol. 30, no. 1 pp.92-95
Christopher Heathcote, `Dale Frank, not one of the old school, even yesterdays,’ The Age, Melbourne, October 14, p.l4
Robert Rooney, `Frank on the coffee table,’ Weekend Australian, Melbourne, October 17, Review p.l I
Elwyn Lynn, `Triumph of the smooth in the rough recessionary times,’ Weekend Australian, Sydney, October 31, review p.I
Terence Maloon, `It is a violence from within’, You Are Here, exh. cat., IMA, Brisbane, November, p.40 1991 Elwyn Lynn, `In or out of Race, its a minefield’, Weekend Australian, Sydney, 5 January, p.8
Jo Saurin, `Reward of Sensual Pleasures’, Sydney Morning Herald, Sydney, 22 March, p.12
Elwyn Lynn, `Champs canvass art with punch’, The Weekend Australian, Sydney, 23 March, p.8
Michael Richards, `Explosion of Paints Combines the Classical and Chaotic’, The Courier-Mail, Brisbane, 25 June, p.20
Adam Geczy, `Banal Art’, Agenda, no 18, Melbourne, July p.16
Peter Hutchings, `Banal Art’, Art + Text, Sydney, no 39, May, p.74
Bernard Smith and Terry Smith, Australian Painting 1788-1990, Oxford University Press, pp.531, 534, 539
Graham Forsyth, `Dale Frank’, Art + Text, Sydney, no 40, September, pp.86-87
Wayne Hudson, Chiliasm, exh. cat., Institute of Modern Art, Brisbane
Rex Butler, Banal Art, exh. cat., Artspace, Sydney
Roslyn Oxley9 Gallery, Dale Frank, exh. cat., Koln Art Fair, November
Felicity Fenner, `A more than frank exchange of views’, Sydney Morning Herald, 26 October, p.47
Rex Butler, The Hypothesis of Imitation, exh. cat., Bellas Gallery, Brisbane, October, pp.5-7
Bernice Murphy, `The Power Collection; Development in the 1980s’, Art and Australia, vol. 29, no.2, summer, Sydney, p.211
Robert Rooney, `Bad Boy Ages Tastefully’, The Australian, 23-24 November, p.6
Brian Phipps, `Good Taste: Bad Taste’, Oz Arts Magazine, Sydney, Issue 1, Spring, 1991, pp.26-31
Marie Giessler, `Collecting Art and Antiques’, Oz Arts Magazine, Sydney, Issue 1, Spring, 1991 pp.42-47
Elwyn Lynn, `No Claus for Santa but plenty of Anima,’ Weekend Australian, Sydney, December 21, Review p.3
Bernard Smith/Terry Smith, `Post Modern Plurality 1980-1990,’ Australian Painting 1788-1990, Oxford University Press, Chapter 16, pp.531, 534 1990 Ashley Crawford, `A Chronicle of Australian Art 1980-1989′, Tension 19, January 1990
Arthur McIntyre, Contemporary Australian Collage and its Origins, Craftsman House Publishers, Sydney
Anna Johnson, `Dale Frank’, Interior Architecture and Design, no 22, pp.152- 157
Catherine Lumby, `Dale Frank – Fed-up with Art’, Art and Text, no 25, Summer, pp.139-141
Jay Younger, `Post Modernism – The Baby and the Bathwater’, Broadsheet, Adelaide, vol 19, no 1, March, p.10
Rene Block, The Readymade Boomerang: Certain Relations in 20th Centurv Art, exh. cat., Sydney, 8th Biennale of Sydney, April, pp. 458-459, 475
Jane Magon, `Fame and the Art of Dale Frank’, Dale Frank: Adieu, Melbourne, Deutscher Brunswick Street, June
Christopher Heathcote, `Martin and Frank’, Art Monthly, June, p. l4
Dale Frank, `Just Imagine The Biennale sees you but you don’t see it’, Tension, No. 21, June
Catharine Lumby, Dale Frank Adieu, (catalogue introduction), Deutscher Brunswick Street, June, p.3
Louise Neri, `Block’s Buster: Eros, C’est Ia vie, Cumulus From Australia’, Parkett, Zurich, no 25, September, pp.143-49
Paul Groot, `Sydney Biennale,’ Flash Art, Milan, no 154, October
Sonia Harford, `Arts bad boy takes on the system’, Sunday Herald, Melbourne, 24 June
Ronald Miller, `Go south for gentle pleasures’, The Herald, Melbourne, 20 June 1989 Jane Magon, `Dale Frank’, Eyeline, no 5, pp.32-33
A selection of 19th and 20th Century Art, exh. cat., Deutscher Fine Art, Melbourne, November, p.109
Paul Groot, `De kunstgeschiedenis is dood. Leve de kunstgesch-denis!: Pittoresk II’, Museumiournal, Amsterdam, vol 34, no 2 & 3, pp.97-103
Dale Frank, exh. cat., Sydney, Roslyn Oxley9 Gallery, July
William Wright and Robert Lindsay, ICI Contemporarv Art Collection, exh. cat., Melbourne
Michael Richards, `Europia from the Abstract,’ The Courier Mail, Brisbane, 5 April
Carolyn Barnes, `Cosmic Resistance’, Agenda Contemporary Art, no 5, June, pp.3-5
Bob Linguard and Sue Cramer, Institute of Modern Art – 1975 to 1989: A Documentary History, lnstitute of Modern Art, pp. 84, 121
Annette Cyr, `Dale Frank’, (review), 108 Review, New York, no 10, January, p. 9
Elwyn Lynn, `Carving Out Skill’s Domain’, (review), The Weekend Australian, 19 August, p. 113
Christopher Allen, Satirising surfaces beneath face value’, (review), The Sydney Morning Herald, 25 August, p.14 1988 Andrew Bogle, Advance Australia Painting, (catalogue), Auckland, Auckland City Gallery,
Dan Cameron, `Showdown at Southern Cross’, – Notes on the 1988 Australian Biennale, Artlink, Adelaide, vol 8, no 3, pp. 10-14
Betsy Brennan, `AvantGaga’, Vogue Living, June-July, pp.114,117-118, 152
Graham Coulter-Smith, `Dale Frank’, Eyeline, no 6, September, pp.10-11
Robert Rooney, `Dale Frank,’ The Weekend Australian, 14 May
Dale Frank – Trusting in the Pipe-Dream, exh. cat., Melbourne, Realities Gallery, April
Dale Frank – Drawing Survey, exh. cat., Sydney, EMR Gallery in association with Mon Gallery, May
15 Years Galene Albert Baronian in I.C.C., exh. cat., Antwerp/Brussels, Galerie Albert Baronian, November, pp.34-35
Jennifer Mc Camley, `A Storm in a Teacup? – Dale Frank’, Tension, no 14, Sept, pp.12-18
Arthur McIntyre, Australian Contemporary Drawing, Boolarong Publishers, Sydney 1987 Naomi Cass (ed), What Is This Thing Called Science?, exh. cat., Melbourne, The University Gallery
Daniela Salvioni, `Combustible Demarcations: The Art of Dale Frank’, in Tony Bond (ed), The Australian Bicentennial Perspecta, exh. cat., Sydney, Art Gallery of New South Wales, October, pp.28-35
Dale Frank, exh. cat., Realities Gallery, June
Luisa Somaini `tuttoarte,’ La Republica, Milan, 16 January
Gian Petro Vincenzo, `Neo Geo,’ Per Lui Vogue, Milan, 16 January
Arturo Carlo Quintavalle, `Dale Frank: Quadri come apparizioni,’ Panorama, March, p.26
Adriano Antolini, `E l’arte trovo casa a Milano’, II Giornale Nuovo, Milan, 8 February
Luciano Caprile, `Da Schlichter a Frank e Pardi,’ II Sole 24 Ore, Milan, 8 February
Giancinto di Pietrantonio, `Dale Frank/Alfredo Pirri’, Flash Art, (ltalia), Milan, March, pp.50-51
`Thronging the Canvases’, Follow Me, Sydney, August, p.140
Pamela Hansford, `Dale Frank’, Art and Australia, vol 25, no 2, Summer, pp.240-243
Terry Smith, `Frank Explores the Heights of Bad Taste’, Times on Sunday, 11 October, p.30
Elwyn Lynn, `From The Hall of Fame…’, The Weekend Australian, 10 October
Robert Rooney, `A return to Cosmic abstraction,’ The Weekend Australian, 27 June
Shona Martyn, `Why Dale Frank can buy Gaultier’, Vogue Australia, no 4, April, p.101
Robert Rooney, `Marvelling at this thing called science’, Weekend Australian, Sydney, 5 December
Dale Frank, `The Story of a Crime – for Want of a Better Title’, (unpublished manuscript) Murrurundi, March, pp.1-16 1986 Gregorio Magnani, `Dale Frank’, Flash Art, (International), no 126, Milano, February, pp.60-61
Gregorio Magnani, `Dale Frank’, Westuff, no 3, Florence, March, pp.16-17
Pier Luigi Tazzi, `Dale Frank’, Artforum, vol 24, no 8, New York, April, pp.118
Timothy Morrell, `Big Drawings’, Art and Australia, vol 23, no 3, March, p.366
Francesco Alfano Miglietti, `Che Tempo Fara?’, Flash Art (ltalia), no 133, April, pp.72-73
Paul Groot, `Die Malerei im Dienste eines anatomisdhen Projects, Einige
Bermerkungen zum junger europaischer Maler’, Europe-America: 1940 to the Present, exh. cat., Cologne, Museum Ludwig, September, pp.407-418
3rd International Triennale der Zeichnung, exh. cat., Nurnberg, National Museum Nurnberg
Leo Loomans, Dale Frank (unpublished interview for undergraduate history thesis)
Hannah Fink, `Art Stars: Dale Frank’, X-Press, Sydney, vol 1, no 6, December, p.12
Ted Gott, Backlash: The Australian Drawing Revival 1976-1986, exh. cat., Melbourne, National Gallery of Victoria, pp.38-41,83,95 1985 Helena Kontova `Dale Frank,’ Flash Art (International), no 120, Milan, January, p.70-71
Michael Kohn, `Dale Frank,’ Flash Art (International), no 120 January, p.43-44
Paul Groot, Dale Frank, exh. cat., 9e Foire d’Art Actual, (Galerie Albert Baronian), Palais Des Beaux-Arts Brussels, January
Gerrit Henry, `Dale Frank,’ Art in America, 1985, no 2, New York, February, p.140-141
Paul Groot, De Surrealistiche Variaties van Dale Frank, Museumjournal, no 1, Amsterdam, March, p.49
`Dale Frank’, Artists Pages, Museumjournal, 1985, no 1, Amsterdam, March, p. 50-51
Donald B. Kuspit, `Australian Visions at the Guggenheim,’ Art in America, no 3, New York, March, p.153-154
Angela Vettasi, `Europe and America: Two Aspects of the New Surreal’, Flash Art (International), no 122, Milan, May, pp.20-2 1
Paul Groot, Cover/Doppelganger, ex. cat., Aorta, Amsterdam, May, p.95
Arthur McIntyre, `Freudian Imagery Abounds, The Age, Melbourne, 25 May, p.44
Elwyn Lynn, `View of Chaos, Malignity’, Weekend Australian, Sydney, May 25, p.14
Achille Bonito Oliva, Nuove Trame Dell’Arte, exh. cat., Castello Gennazzano, Italy, July, pp.68-69
Antonio d’Avossa, `Le trame del Castello’, Flash Art (ltalia), no 128, Milan, summer, pp.62-63
Helena Kontova and Giancarlo Politi, `From New York with Love’, Flash Art, no 123, Milan, summer, pp.46-47 (reprinted, Flash Art ltalia), no 128, Milan, summer, pp.26-27
Lucia Spadano and Achille Bonito Oliva, `Nuove Trame Dell’Arte’, Segno, no 47, Rome, June, p.8-15
Ashley Crawford, `Dale Frank: Dionysus verses Apollo’, Stilletto, no 24, Melbourne, June, p. 4
Alida Militello, `Tanti Modi Di Essere Blouson’, EpocaModa, no 11, Verona, October, p.66-67
Silvia Zangheri, `Espressione, Spirito Selvaggio e neoprimitivo’, exh. cat., Anniottanta, (Flavio Caroli and Renalto Barilli), Bologna, July, pp.163-169, 195-196, 223
Lucia Spadano, `Fall Out’, Secino, no 48, Rome, September, pp.30-32
Gregorio Magnani, `Dale Frank,’ Flash Art (ltalia), no 130, Milano, Dec, p.46
Francesca Alfano Miglietti, `Provisioni de Tempo’, Flash Art (ltalia), no 130, Milano, Dec, pp.662-64
Megan Cronly, `Mastering the Art’, Follow Me, no 19, Sydney, October, pp.136-141
Rondo, (catalogue), Antichi Arsenali, Amalfi, December, pp. 50-51, 90-91
Camille Sbrissa, `Milan’, Artline, London, vol 2, no 10, winter, p.18
Peter Haynes, Dale Frank, exh. cat., Canberra, Canberra School of Art Gallery
`Bold and Provocative,’ Canberra Times, 18 June
Paul Goodwin, `Dale Frank,’ Flash Art (Italia), Milan, no 126, January
John McDonald, `Dale Frank/Mike Parr,’ Art Network, Sydney, no 17, Spring, p.53
Terence Maloon, `Australia, emotionally unbuttoned’, Sydney Morning Herald, 16 March
Ronald Miller, `Neurotic vision fits the bill’, The Herald, Melbourne, 20 June
Giulio Ciavoliello, `Dale Frank’, Juliet, Trieste, no 23, December, p.9
Paul Groot, `Dale Frank: With the eye if you are quick enough to turn on the light you can see what the dark looks like’, Art and Text, Melbourne, no 17, April 1985, pp.29-30, 81-83 1984 Cathy Peake, `Tiber to Lilliput – and back again’, The Financial Review, Sydney, 29 June
Arthur McIntyre,’ Slow down, young man’, The Age, Melbourne, 10 July
Gertrude Langer, `Young Artists Images, Eerie, Disturbing,’ The Courier Mail, Brisbane, 19 September
Grant Hannan, `Effective, original,’ The Herald, Melbourne, 16 August, p.26
Robert Rooney, `Bygone era meets “new wave”‘, The Weekend Australian, Sydney, Magazine 13, 11 August
Vivienne Shark LeWitt, `The End of Civilization Part II: Love Among the Ruins’, Art and Text, Melbourne, no 10, Winter, pp.1-6
Sue Cramer, `A change of place, a change of meaning’, The Age, Melbourne, 17 August
Eric Gibson, `Australian in Manhattan’, Studio International, London, no 197, 1007, p.45
Stuart Morgan, `The Journey from the Tiber to Lilliput and back again,’ Dale Frank – Death,
Broadsheet, Sydney, Roslyn Oxley9 Gallery, June
Jennifer Phipps, Symbols. Emblems. Signatures: Australian Drawing 1984, exh. cat., New Plymouth, Govett-Brewster Gallery
Diane Waldman, Australian Visions: 1984 Exxon International Exhibition, exh. cat., New York, Solomon R Guggenheim Museum, September, pp.19-20, 32-40
Susanna Short, `Seascape surge ahead of the narrow, cosy view’, The Sydney Morning Herald, 29 June, p.10
Elwyn Lynn, `Still Life:delusion to the didactic’, The Weekend Australian, Sydney, 28 April
Tony Bond, Form>lmage Paul Taylor, `Tall Poppies’, Art & Text, no 12-13, Melbourne, January, p.52
Sue Cramer, `Vox Pop’, Art & Text, no 12-13, Melbourne, January, p.136-142
Jenny Watson, `Urgent Images’, Art & Text, no 14, Melbourne, June, p.69-74
Flavio Caroli, Aperto 84: XLI La Biennale di Venezia 1984, exh. cat., Venice, June, pp.201,207
Helena Kontova, `Dale Frank’, Flash Art (ltaliana), no 122, Milan, July, (Estate), p.22-23
Flavio Caroli, `La Biennale di Venezia’, Flash Art (ltaliana), no 122, Milan, July, (Estate), p.67
Judy Annear, `Us in the U.S.’, Vogue Australia, vol XXVIII, no 8, Sydney, August, pp.160-163, 193
Paul Groot, Dale Frank, exh. cat., Melbourne University Art Gallery, Melbourne, August
Memory Holloway, Recent Australian Art – An American Perspective, exh. cat., Bleak Romantics, Solomon R. Guggenheim Museum, New York, September, pp.11-21, 32-41
Paul Groot, `Closed Quotes’, Artforum, vol XXIII, no 1, New York, September, p.107
Stuart Morgan, `Dale Frank’, Artforum, vol XXIII, no 2, New York, October, p.101
Paul Groot, `Dale Frank’, Artists, no 22-23, Paris, October, p.116-119
Elio Graziolo, `Dale Frank’, Flash Art (International), no 11, Milan, November, p.49
Ken Sofer, `Views from Downunder,’ Art News, vol 83, no 10, New York, Dec, p.157 1983 Sue Cramer, `Masterpieces and Tall Poppies’, Art Network, Sydney, no 10, Winter, p.42
Elizabeth Cross, Figures and Face Drawn from Life, exh. cat., Melbourne, Heide Park and Art Gallery, October
Dale Frank, `Punchline,’ Broadsheet, Sydney, August
Bernice Murphy, Australian Perspecta 1983, exh. cat., Sydney, Art Gallery of New South Wales, May, p.44
Jennifer Phipps, `Paintings’, in Leon Paroissien (ed), Australian Art Review 2, Melbourne, Warner Association, pp.74-81
Tim McLauchlan, `The Art Market in 1982′, in Leon Paroissien (ed) Australian Art Review 2, Melbourne, Warner Association, pp.122-125
Robert Rooney, `Taylor Made to Fit a Theory’, The Australian, Sydney, 14 May
Michael Spens, `Australian Art Beyond the Cringe’, Studio International, London, vol 196, no 1002, pp.13-15
Paul Taylor, `Arts News: Artists in Paris’, Vogue Australia, Sydney, October
Bernice Murphy, `Recent Painting in Australia’, Flash Art, no 110, Milan, February, p.56-59
Helen Kontova, `Anselm Kiefer, Thomas Lawson, Dale Frank’ in Achille Bonito Oliva (ed), Critica ad Arte: Panorama della Post – Critica, exh. cat., Musei Palazzo Lanfranchi, Pisa, Italy, March, p.138-142
Paul Taylor, Tall Poppies, exh. cat., Melbourne University Gallery, Melbourne, April
Mathew Collings `Place at Gimpel FiIs’, Artscribe, London, no 42, Sept, p.61-62
Helen Kontova, `La Peinture issue de Ia performance’, Flash Art (ed. Francaise), no 1, Milan, Autumn, p.12-17
C. Galantai, `New Painting’, Artpool, no 3, Budapest, Winter
Leon Paroissien & Suzanne Page, D’un Autre Continent: L’Australia, exh. cat., Musee d’Arte Modern de Ia yule de Paris, September, pp.25, 27, 29-107
Ashley Crawford, `Dale Frank’, Tension, no 2, Melbourne, October, p.28-30
Michael Spens `Dream and Reality’, Studio International, vol 196, no 1002, London, November, p.13-14
William Wright, `Australian Perspecta’, Studio International, vol 196, no 1002, London, November, p.36-39
Paul Groot, The Divine Comedy, exh. cat., Rotterdamse Kunststichting, Rotterdam, October
Peter Haynes, `ACT 3: Ten Performance Artists’, Australian Art Review, no 2, Sydney, p.49-54
Robert Rooney, `Tall Poppies’, Flash Art, no 115, Milan, November, p.74 1982 Wynstan Curnow, `Christchurch ANZART’, Artforum, New York, April
Terence Maloon, `Dale Frank rides the crest of a wave like an experienced surfer’, The Sydney Morning Herald, 4 September
Bernice Murphy, `Some Recent Painting in Australia’, in Achille Bonito Oliva (ed), Transavantaarde International, Milan, Giarncarlo Politi, p.275
Roberto Daolio, `Dale Frank, Artista’, Lapis Arte, Salerno, June pp.8-10
Ban Epo Arte, `Art Fair’, Domus, Milan, no 629, June, p.74
Helena Kontova `From Performance to Painting’, Flash Art, no 106, Milan, Feb, p.16-21
Mike Parr `Vision in Disbelief, 4th Biennale of Sydney’, Flash Art, no 108, Milan, June, p.71-72
William Wright, Vision in Disbelief, 4th Biennale of Sydney, exh. cat., Art Gallery of New South Wales, Sydney
Marcia Tucker `An Iconography of Recent Figurative Painting: Sex, Death, Violence
and the Apocalypse’, Artforum, Vol X, no 10, New York, June
Roberto Daolia, `Dale Frank Artiste’, Lapis Arte, Salerno (Italy), June, p.8-9
Editorial, Review of Ban Expo Arts, Domus, no 629, Milan, p.74, June
Mike Parr, `Glossolalia/Stroke: the Art of Dale Frank’, AsDect, Sydney, Spring, p.60-63
Jennifer Phipps, `Anzart’, Australian Art Review, no I Sydney, p.81